BIO
Milos Djordjevic
Born in 1978 in Cuprija, Serbia. Graduated in 2001 from the Printmaking department at the Faculty of Arts in Pristina. Post-graduate studies finished in 2007 at the Printmaking department of the Faculty of Fine Arts in Belgrade. Full member of the Union of Fine Artists in Serbia.
Selection of the international exhibitions:
OSTEN Biennial of Drawing, North Macedonia (2024)
Mini Maxi Print Exhibition, Galleri Heike Arndt DK, Berlin, Germany (2024)
Kipppunkt / Tipping Point, Oberwelt, Stuttgart, Germany (2024)
2 VIA CARPATIA Art Biennale, IMO Gallery, Stary Sacz, Poland (2023)
Micronarratives of the Global State, IMPACT12, Bristol, UK (2022)
Thinking of Place III, Studio One Toi Tu, Auckland, New Zealand (2021)
Third IAPA Exhibition and Academic Symposium, Central Academy of Fine Arts, Beijing, China (2020)
Di Carta / Papermade, the 4th Edition International Biennial Papermade Art Work Exhibition, Palazzo Fogazzaro, Schio, Italy (2019)
The 9th Rokycany Biennial Exhibition of Graphic Art, Dr. Bohuslav Horák Museum, Rokycany, Czech Republic (2018)
Belt and Road, Central and Eastern European Countries Art Exhibition of Print and Engraving, Ningbo Museum of Art, China (2018)
International Exhibition of Contemporary Printmaking, Isla Center for the Arts, University of Guam, USA (2016)
The Royal Academy Summer Exhibition, Burlington House, London, England, UK (2015)
Parker Harris International Print Biennale, Hatton Gallery, Newcastle, UK, (2014)
III Latgale Graphic Art Symposium, Mark Rothko Art Centre, Daugavpils, Latvia (2014)
The 30th Ljubljana Biennial of Graphic Arts, MGLC, Ljubljana, Slovenia (2013)
Impact 8 International Printmaking Conference, Dundee, Scotland (2013)
The International Print Triennial of Krakow, MTG - Oldenburg (2012)
VI International Printmaking Biennial of Douro, Alijo, Portugal (2012)
III Qijiang International Print Festival, Qijiang, Chongqing, China (2011)
IMPRINT International Triennial, Warszawa, Poland (2011)
XIX International Graphic Art Biennial Dry point, Užice, Serbia (2011)
VIII Printmaking Triennial de Chamalieres, Chamalieres, France (2010)
Selection of the solo exhibitions:
Homo Numen, Centre de Diffusion Presse Papier, Trois-Rivières, Canada (2024)
Pastoral, IMPACT12, University of the West of England, Bristol, UK (2022)
Cycle Binom Nihilo, Graficki Kolektiv Gallery, Belgrade, Serbia (2020)
HINdSIGHT, Kamergalerija, Grafikas Kamera, Riga, Latvia (2018)
Factography of Loneliness, Dailes University Gallery, Šiauliu, Lithuania (2015)
Cascades, Galerie Circulaire, Montreal, Canada (2013)
Road Conform, Muzeul de Arta “Ioan Sima”, Zalau, Romania (2010)
Selection of Conference Presentations:
SGCI Puertograbando Conference, San Juan, Puerto Rico (2025)
Continents Collaborating Symposium, University of Virginia, (2023)
IMPACT12, University of West England, Bristol, UK (2022)
IAPA Symposium, CAFA, Beijing, China (2020)
Selection of public collections: Atelier Circulaire (Montréal, Canada), Vilnius Graphic Art Center (Vilnius, Lithuania), Museum of Engraving Collection - Paleologi Castle (Acqui Terme, Italy), Museum Dr. Bohuslava Horaka (Rokycany, Czech Republic), Penang State Museum (Penang, Malaysia), The Americas Biennial Exhibition of Contemporary Prints & Printmaking (Iowa, USA), and Society for Contemporary Works on Paper BIMPE (Vancouver, Canada).
Awarded several times, including 2024 Certificate for Artistic-Graphic Achievement, Bitola Triennial, North Macedonia, and 2018 Prestige certificate at Rokycany Biennial of Graphic Art. In the 2015 Spring issue of Printmaking Today Magazine, editorial coverage was published about my artworks in the Artist's Eye section. Since 2018, I have been a member of the Editorial Board of the Journal of Arts, an International Peer-Reviewed and Open Access Electronic Journal, Rating Academy, Canakkale, Turkey.
A significant portion of my work comprises complementary series interconnected by thematic, technical, or conceptual threads. Two recurring themes are the human condition and the Anthropocene. Over the past decade, I’ve critically examined humanity’s impact on the planet. The Anthropocene raises a crucial question about humanity’s survival: the sustainability of our actions and their impact on future generations.